Dao Du Jour: Done Not Done

It’s now been over a year and a half since I started this project, and having worked through two translations—producing 162 entires and almost 400 pages of material—it’s time to bring it to an end. I went back and read my first entry, Day Zero, to remind myself why I started and reflect on how it went. Here was my initial plan:

each day, I’ll select a quote from a chapter of the text, and offer you a short response to it. It may be only a sentence or a question; it may be a personal reflection along the lines of a journal entry; it may take the form of metaphysical musing, or maybe even mild moralizing; it may come off as clichéd, banal self-help or cultural appropriation; it may be social or political commentary; it may even, heaven forfend, get a little “woo-woo.”

And that’s about what I did. What surprised me as the project unfolded was how naturally the text opened up portals to things you wouldn’t normally associate with Daoism—allegorical interpretations of the Bible, critiques of neoliberal political economy, the folly of space billionaires. Over time, I began half-joking to myself that if I turned it into book, the subtitle would be “A Christian Self-Help Book About Politics.”

And turning the Dao Du Jour into a book is exactly what I plan to do. This was of course an intention at the outset, but it was only tentative and vague. But as the project picked up momentum, at the urging of several of my regular readers, and after consulting with a literary agent, that intention strengthened and crystallized.

It’s an odd thing scribbling down strange little musings on the regular and sending them out into the infinite interwebs, rarely knowing who is reading or how it lands for them. In that first post, I reflected on the dyad of reading and writing in relation to the yin-yang symbol:

One of the most obvious features of the yin-yang symbol is that dualities are interconnected and mutually interpenetrate each other; there is black in all white and white in all black. Reading is predominantly passive (yin-ish), writing mainly active (yang-ish). When you read, you’re reading something someone wrote, and when you write, you’re writing something someone else will (hopefully) read. Nevertheless, reading only works if the reader is bringing something to the table, and writing only sings if it’s open to the inspiration of the moment and mindful of the reader to whom it’s addressed. To read, you have to grapple with the writer, and to write, you have to listen, not just to the muse, but to the reader. You have to do something like dance.

Here, I was talking about myself reading the Daodejing and writing about it. What interests me now that the writing is done, though, is what you readers experienced. I’ve heard from many of you over the last year and a half, but want to hear more.

What made sense, what didn’t, and how did it help you make sense of the world?

What shapes and constellations did you detect emerging from the essays (essay literally means “attempts”).

What attempts succeeded, what failed, and what did success mean?

In keeping with the Daoist spirit of wuwei—“doing without doing”—consider the Dao Du Jour “done not done.” And not just in the sense that this ending is the beginning of bringing forth a book from the bevy of blog posts. The writing is done but not done—like all action, I trust it will bear karmic fruit in my own life and, I hope, in yours.

Thanks for whatever you brought to the table. Thanks for grappling with my ideas. Thanks for dancing.

~David

Dao Du Jour II, Day 81: Show Don’t Tell

Chapter 81: Telling It True

“True words aren’t charming, 

charming words aren’t true.

Good people aren’t contentious, 

contentious people aren’t good.

People who know aren’t learned, 

learned people don’t know.

~ Tao Te Ching: A Book about the Way and the Power of the Way, trans. Ursula K. Leguin (Shambhala, Boulder: 2019)


One of the recurring trinities in the Western tradition is what Plato called the Good, the True, and the Beautiful. One question I have always had is why these three? And why three?

A related question I always had is why the four so-called cardinal virtues extolled in both Greco-Roman philosophy and Christian moral theology are, well, what they are—prudence, courage, moderation, and justice? 

The answer is simple, and you get there by asking a different question: what is hard about being human? When I study Aristotle’s account of virtue with my students, I ask them four questions: Who faces uncertainty about how to behave? Who feels fear? Who faces temptation? Who has to make decisions about what is fair? Everyone raises their hand in response to all four questions, and that is the point; it’s hard to imagine your life going that well if you can’t manage uncertainty, fear, desire, and scarcity.

You can take a similar approach to the Four Yogas in the Hindu tradition, the four paths to the divine: jnana (knowledge), bhakti (devotion), karma (action), and hatha (embodied practices). There are multiple paths, but not an infinity of paths; they pathways are constrained by the grain of the human condition. Everyone has a mind, a heart, and a body, and everyone acts in relation to everyone and everything else, and everyone inclines in a certain direction. This is reflected in the Enneagram model; there are only three types (head, heart, and body) because, well, there are only three types of people. The word yoga is related to our word for the yoke of an egg; it means to unite, to integrate, to whole. If we are exercising our heads, hearts, haras, and hands well, we are healing and wholing ourselves, others, and the world.

You might have noticed that the trinity tucked into the tail end of that sentence offers an answer to our first question. Ken Wilber has pointed out that the Beautiful, the Good, and the True are reincarnated many times in both Western and Eastern traditions: in the three jewels of Buddhism, they are the Buddha (personal awakening), Sangha (community of practice), and the Dharma (truth about reality); in the Christian trinity, the Son (I am God), the Father (God’s will must be done), the Holy Spirit (God is the world); Immanuel Kant’s three great critiques of Judgment (beauty), Practical Reason (morality), and Pure Reason (truth). A simpler way to distill these three dimensions, Wilber suggests, is art, morals, and science, or simply self, culture, and nature. If we yoke these with the four yogas and the four virtues above, we get an integral yoga, or yoga of yoga: strive to integrate mind, body, and soul in self, culture, and nature by mastering uncertainty, fear, desire, and scarcity. That will lead us to the simplicity on the other side of complexity to which the Daodejing directs us.

What, then, are we to make of this final chapter, and what does it have to do with the human trinity? This: the beautiful is not the pleasant, the good is not the advantageous, and the true is not the factual. And this: taking a page from the Christian view of the Trinity—that God is both three and one—Beauty is good and true, goodness is beautiful and true, and truth is good and beautiful. But going beyond the Christian view—or rather, going along with its deepest meaning—God is both three and one and neither. 

The Dao is always inviting us to take this first and final step, what Zen calls the “step backward” into the play of paradox, and insisting against the protests of the head that the only way to tell it true is by “doing without outdoing.” This is, the closing line of the text says, “the Way of the wise,” wuwei, the way of woo that woos us on toward wisdom. 


New to the Dao Du Jour? Check out “Day 0.”

Dao Du Jour II, Day 80: The Distance to Here

Chapter 80: Freedom

“Let there be a little country without many people.

Let them have tools that do the work of ten or a hundred, 

and never use them.

Let them be mindful of death 

and disinclined to long journeys.

They’d have ships and carriages, 

but no place to go.

They’d have armor and weapons, 

but no parades.

They’d enjoy eating, 

take pleasure in clothes, 

be happy with their houses, 

devoted to their customs.”

~ Tao Te Ching: A Book about the Way and the Power of the Way, trans. Ursula K. Leguin (Shambhala, Boulder: 2019)


When I saw the Marvel film Black Panther and was introduced to the kingdom of Wakanda, I got the feeling that, well, I’d seen this movie before. Prince T’Challa’s ship flies straight into a dense forest mountain that suddenly shimmers and disappears, revealing a hidden kingdom that, we quickly learn, is the most technologically advanced civilization on Earth. As or more impressive is that Wakanda has carefully preserved its cultural traditions; magical technology is seamlessly fused with magical rituals; ancient tribal affiliations are nested within a monarchy nested within a modern scientifically and technologically administrated state, all seamlessly integrated with the local flora and fauna. While uniquely blessed with the most precious resource on Earth, vibranium, it is the prudent stewardship of its power, not the resource itself, that is the key to their success. Though are armed to the teeth, they harness their power for peace and prosperity, not profit and plunder. The first rule of Wakanda is that you do not talk about Wakanda: The state sends people out into the world to gather information and, where possible, gently nudge civilization toward liberation, but they are sworn to secrecy about its whereabouts and very existence. Guided by a kind of Star Trek-ish Prime Directive, it errs on the side of non-intervention.

A small country with magical technology, isolated from civilization, with secret spies spanning the globe and reverence for ritual and tradition…where had I seen this before?

Most people know Francis Bacon as the founder of the scientific method. Whether he was or not—and whether there really is such a thing—fewer people know that he was also arguably one of the first writers of science fiction. In the New Atlantis, which Bacon never completed and died writing, a wayward ship of sick, starving, storm-tossed sailors stumbles upon a mysterious island missing from their maps. The strangers provide them with magic fruit that cures their ailments, invite them ashore, describe their customs, and take the (presumably British) crew to their leader. Bensalem, it turns out, is a veritable utopia; clean, orderly, prosperous, strong families, respect for law and state institutions, pervasive filial piety, and lots of land set aside for nature. They are “disinclined to long journeys” and “devoted to their customs.” The closest approximation to Bensalem in our world, in other words, is Switzerland.

The head of Bensalem resides in Solomon’s House, the nerve center of the society. Solomon’s House is essentially NASA, the White House, and the CIA rolled into one. Bensalem, it turns out, is not a democratic society; it is a deep state on steroids governed by scientists, technical experts, and bureaucrats. The leader of Solomon’s House regales the spellbound sailors with a litany of their achievements and inventions: flying machines, submarines, means for controlling the weather, curing diseases, creating what we today would call GMOs, and extending life. “The end of our foundation,” he tells them, “is the knowledge of causes and the secret motion of things; and the enlarging of the bounds of human empire, to the effecting of all things possible.” 

Though it displays the trappings of Christianity, Bensalem is essentially a society based on a religion of science; there is no separation of Church, State, and Science. It operates under a double veil of secrecy: the leaders decide what and when the public should know about its discoveries, and the entire society is kept secret from the rest of the world.

It is hierarchical in other ways. A disproportionate amount of the text is devoted to a detailed description of the “feast of the family,” an elaborate ritual celebrating the patriarchs of Bensalem’s typically large families. This might seem out of place in a tale about technological utopia, but perhaps Bacon recognized not only that Maslowe’s belonging needs would never go away, but that the purpose of technological progress was to enable people to realize them more fully. Bacon’s mythos reflects his logos: the goal of natural philosophy (the term science was not coined until the 19th century) was to use techno-science to “relieve the human estate.” He framed his utopian vision in Biblical terms: the aim was to restore the human condition in the Garden of Eden, before the Fall.

An irony of thinking about Bacon’s utopia today is that, for many, it has curdled into its opposite. Sure, there are the Space Baron’s gazing off into infinity and beyond—Elon Musk making for Mars, Jeff Bezos fancying himself as Captain Picard, Peter Thiel dreaming of libertarian, self-sufficient sea-steading societies—who believe that through technology all things are possible; a mindset that Jamie Wheal perfectly skewers as “Atlas Shrugged in space.” But many of today’s utopians see Bacon’s modernity as that which must be escaped. The reasons are many—climate change and environmental degredation, spiritual poverty, extractive and exploitative economies, separation from nature, the coarsening of the culture, disrespect for family values, consumerism, materialism, bullshit jobs—and so on. But an increasing number of cultural tribes are forming that want to tune in, turn on, and drop out.

On the right, the form this takes is what has come to be called the “Benedict Option,” coined by conservative writer Rod Dreher. Inspired by the original Benedictine monasteries of the 6th century, some ultra conservatives have begun to effectively secede from modernity, pulling their children from public schools and setting up their own communities far from the madding crowd of modern life. In their eyes, the modern liberal project of progress through science and technology of which Bacon’s vision was a major motor has produced a New Dark Ages hostile to life, virtue, God, community, and true human flourishing.

On the left, the form this takes is the eco village—call it the Bioregional Option. Modeled on the communes from the post-World War II counterculture, they seek a more natural way of life; growing their own food, building their own houses, making their own clothing and products, raising each others’ children. Throw in Wi-Fi and digital technology, a solar array, a little polyamory, a dash of prepper culture, a Montesorri-style education system, and a healthy dose of ritualized psychedelic use, and you’ve got yourself an eco-village.

Both are laudably trying to forge new forms of living that shore up modernity’s weaknesses. But both run the risk of romanticism. Progressives tend to be nostalgic for hunter-gatherer life before the advent of agriculture. Conservatives tend to be nostalgic for medieval life before the advent of industry. What we now know about both eras suggests that few would actually want to go back. The problem is that whether you’re attracted to the Benedict or the Bioregional options, they’re both options. They are both choices made on the basis of and within the bounds of modernity that tend to disregard modernity’s benefits.

Lao-tzu’s teaching is that we should not seek freedom in an idealized past or future social arrangement. That freedom is here, if we could but find it. The distance to here is the shortest in space but, often, the longest in spirit. The best way to shorten it is to set limits, but before you can set the limits you want, you must find and accept the limits there are.

To finitude, and not beyond.


New to the Dao Du Jour? Check out “Day 0.”

Dao Du Jour II, Day 79: Chaos is a Ladder

Chapter 79: Keeping the Contract

“After a great enmity is settled,
some enmity always remains.
How to make peace?
Wise souls keep their part of the contract and don’t make demands on others.
People whose power is real fulfill their obligations;
people whose power is hollow insist on their claims.

~ Tao Te Ching: A Book about the Way and the Power of the Way, trans. Ursula K. Leguin (Shambhala, Boulder: 2019)


“Do you know what the realm is?” Littlefinger asks Verys.

In one of the most gripping scenes in Game of Thrones, two of the king’s advisors debate the nature of power in the empty throne room.

“It’s a story we’ve agreed to tell each other over, and over, and over, until we forget that it’s a lie.”

“But what do we have left once we abandon the lie?” Verys asks. ”Chaos. A gaping pit waiting to swallow us all.”

Our modern way of life is purportedly premised on a social contract. In the beginning, Hobbes, Locke, and Rousseau told us, there was a chaotic, lawless state of nature, and individuals came together and voluntarily agreed to respect each other’s rights and empower a government to for protection of life, liberty, and property. Yeah.

In political philosophy, a distinction is typically drawn between the ancients and the moderns. For the ancients, politics was about virtue, and the human being was understood as a dependent rational animal. The aim of the state and the laws is not just to provide physical safety and economic prosperity, but to make men good—that is, prudent, temperate, just, wise, and brave. Statecraft, in other words, is soul craft. One can only become good by developing the virtues requisite to being a good citizen, virtues inherited from an established tradition. By being liberated from his infantile and adolescent appetites and passions, man is freed for citizenship.

For the moderns, politics is about rights, and the human being is taken to be an independent rational agent. The aim of the state is to protect and respect the rights of the individual, not to promote a vision of the good. Harm no one, steal nothing, pay your taxes, and you may do as you please. The states cares not about your soul, only your actions. By being liberated from threats to safety and property and from the moral and religious constraints of inherited tradition, man is freed from oppression.

In the Republic, Socrates’ interlocutors ask him why they must engage in mythopoiesis (literally, myth-making) in designing the ideal city; specifically, why must they tell a story to the future rulers about where they came from. Put another way, they want to know why they have to make shit up. The reason, Socrates replies, is that we don’t know the truth about the gods and the origin of human beings, on the one hand, and that we cannot live without a story about such things, on the other. Given that we have to lie, we ought to tell a “noble lie” or “useful falsehood.” The story must be “true” not literally, but metaphorically, and metaphorically in the sense that it encodes the values and virtues most conducive to individual and collective flourishing given the limits of human nature.

A central conceit of modernity is that are all grown up and no longer need bedtime stories. We live, in Charles Taylor’s phrase, in an “immanent frame” in which we don’t feel the need to tether our values to a cosmic ground or superhuman source. This is reflected in the origin stories of modern political philosophy: there are no gods or demigods, just human beings rationally maximizing their utility, giving up their natural freedom to receive the benefits of sociality, and voluntarily entering into society. The state of nature is a pit, and the social contract is a ladder. This is how we “make peace.” The consent of the governed, even if tacit, is where the state derives its legitimacy.

This, of course, is a lie. Common sense would tell you so, as would all that we now know from evolutionary biology, primatology, psychology, and anthropology.

But it is not just false: it is also a story. Joseph Campbell wrote that “myth is public dream; dream is private myth.” Modernity sunders the mythos and the logos, privatizing mythology and presenting the public space as merely logical. The state, the laws, the public square, and civic institutions are framed as neutral, an amoral space for rational deliberation, but this is just a clever mask for a new mythos. This does not make it bad. Just disingenuous. It is a story—about good and evil and virtue and vice and what is worthy of worship and what is not—and should be acknowledged as such. Indeed, on balance, modernity offers a more useful falsehood than tradition. But it has major plot holes that traditional stories never had.

By abandoning the noble lie of myth, liberalism tears the social fabric that binds us together and opens up portals to what the show Stranger Things calls “the upside down.” Plato wrote that the danger with democracies is that they get drunk of the “unmixed wine of freedom.” When everyone is doing their own thing, following their private myth, and living out their own truth, the soul and society are uncoordinated. This breeds chaos, and chaos is a ladder for asocial entrepreneurs. Plato calls these figures the “drones,” vicious creatures that prey on people’s intellectual and moral weakness, exploit and exacerbate social divisions, siphon resources from the public, and nudge society toward a tyranny triggered by its fetishization of freedom.

A contract is a social construct. Its power depends upon the individuals making it. In the Bible, a contract is contrasted with the covenant that God makes with humanity. Its power depends upon something that transcends the individuals; it is a burden that they inherit, a creditor to whom they are indebted, and an obligation they can never fulfill. The whole point of the Christian story is that flawed humanity cannot through its own power reconcile with God, so God forgives them and encourages them to forgive each other.

After every enmity, great and small, is settled—whether a feud between neighbors or a social contract binding millions—some enmity always remains. If you convince people that they are atomic individuals with the right to bear rights, they will always find something to fight over. Even if their bellies and bank accounts are full, their streets and cities safe, they will invent imaginary rights to lay claim to. They will feel empowered only by expressing their sense of entitlement because they are untethered from the source of real power: the joyful discharging of duties inherited and not chosen. Every act of submission to tradition tethers the soul more tightly to its source.

The “de” in daodejing is sometimes translated “virtue,” and that gloss serves well here. The virtue of being forgiving, here, entails the recognition that we are all always already fucking up, breaking contracts, offending others, trespassing boundaries—and that is ok, because we belong to each other and to the world. Paradoxically, it is only through community that we can fully be ourselves.


New to the Dao Du Jour? Check out “Day 0.“

Episode #27: On Science and Stoicism: Massimo Pigliucci (Part 2)


Massimo Pigliucci is professor of philosophy at City University of New York. He holds PhDs in both philosophy and biology. As an early adopter of blogging, he has effectively communicated philosophy to the broader public. A prominent philosopher of science, he has engaged popular scientists such as Neil deGrasse Tyson and Bill Nye, exposing the limits of science and the key role philosophy can play in figuring out the role of science in public life. More recently, he has played a leading role in the “Stoic Renaissance” and translated the teachings of this ancient philosophical school into practical terms for living a good life.

Continue reading “Episode #27: On Science and Stoicism: Massimo Pigliucci (Part 2)”

Dao Du Jour II, Day 78: The Unknown Known

Chapter 78: Paradoxes

“Nothing in the world

is as soft, as weak, as water;

nothing else can wear away

the hard, the strong,

and remain unaltered.

Soft overcomes hard,

weak overcomes strong.

Everybody knows it,

nobody uses the knowledge.”

~ Tao Te Ching: A Book about the Way and the Power of the Way, trans. Ursula K. Leguin (Shambhala, Boulder: 2019)


In a press conference held shortly before the disastrous War in Iraq, Defense Secretary Donald Rumsfeld, parrying skepticism about Saddam Hussein possessing weapons of mass destruction, gave a famous disquisition on epistemology:

“Reports that say that something hasn’t happened are always interesting to me, because as we know, there are known knowns; there are things we know we know. We also know there are known unknowns; that is to say we know there are some things we do not know. But there are also unknown unknowns—the ones we don’t know we don’t know. And if one looks throughout the history of our country and other free countries, it is the latter category that tends to be the difficult ones.”

As Slavoj Zizek pointed out, Rumsfeld forgot a fourth category: “unknown knowns,” the things we don’t know that we know. Indeed, the omission itself is an example of an unknown known; the category itself, like psychoanalysis generally, is impatiently dismissed by powerful people who fancy themselves the best and the brightest and chafe at the idea of limits to what they can know and control. Rumsfeld didn’t know that he knew about unknown knowns. The omission was so pregnant with import that Errol Morris made the category the title of his 2013 documentary on Rumsfeld.

The unknown known is pieces of our psyche we have disowned and repressed. Our psyche is ruled by an analogue of the law of energy conservation: the dark energy has to go somewhere, and so it shows up internally, in dreams, or externally, in projections we make onto other people. Everyone can see our shadow except us. Donald Rumsfeld surely did not think he was being an arrogant, condescending, lying, dissembling stooge; that he was all of these things was obvious to a casual observer.

Two years after Rumsfeld’s press conference, David Foster Wallace delivered his famous commencement address, “This is Water,” in which he cleverly used a parable to illustrated what he called the “no bullshit value of a liberal arts education.” In the parable, two young fish swim past an older fish who tells them to “enjoy the water,” and after swimming along for a few minutes, one turns to the other and asks “What the hell is water?”

An irony of the piece’ legacy is that while it was an exercise in “commencement address taboo”—an attempt get at the “no bullshit value of a liberal arts education” without relying on cliches and bromides—it has been referenced ad nauseum and all but become a cliché itself. A further irony is that the text itself warns against a superficial interpretation of it; yet I suspect that people often read it and, well, keep swimming along.

I begin the first class of each semester by having the freshmen read the piece, and asking them not only what they think he means by “water,” but why he chooses water as his master metaphor.

Try it yourself. Read the piece. Write down some ideas. I’ll wait.

So what is water?

  • Unconscious biases.
  • Unconscious beliefs.
  • Unconscious values.
  • Unconscious assumptions.
  • Unconscious prejudices.
  • Unknown knowns.

So why water?

  • It’s invisible.
  • It distorts what you see.
  • It’s essential for life.
  • It can take any shape.
  • It’s hard to grasp and hold onto.
  • It’s heavy.
  • It’s powerful.
  • It can drown you.
  • It can swallow cities.

When you’re swimming in the shallows, the stakes aren’t that high. But when you dive into the depths—or when you are dragged into them, and you will be—the pressure compounds, and what you don’t know you know can mean life or death.

Mind your surroundings. Especially those that are mind.


New to the Dao Du Jour? Check out “Day 0.”